Sonus Faber

Sonus faber was born in 1983, the brainchild of Franco Serblin, a man of remarkable taste who remains the chief designer and the creative force behind the company. From modest beginnings, Sonus faber has grown to become arguably the most dominant design idiom in audio today. Look no further than any of dozens of different compact systems to see that Sonus faber’s design influence extends far beyond the borders of the high end. The name Sonus faber is derived from Latin and means “handcrafted sound,” a perfectly apt description of the products.


Sonus fabers are based upon the three cornerstones of speaker design: (1) driver development, (2) crossover theory and (3) cabinet design.


Sonus faber’s philosophy is very simple. The “sound” of a loudspeaker is in many ways the sound of the driver designs employed within. Sonus faber expends enormous amounts of time and energy developing drivers. In much the same way that, for example the heart and soul of a Ferrari is the engine, so too is the heart and soul of a Sonus faber the exquisite drivers. Development may take several years to perfect a driver design for a given application, but the end result is well worth it.


Crossover Design

The resulting superior driver allows the crossover design to be kept as simple as possible. Because most designers are either unwilling or unable to develop the drivers sufficiently, they are forced to use complicated crossovers that in effect are attempting to “fix” the original problem that began at the driver. Most models feature an attenuated 1st order design, the simplest and arguably most musical of all crossover types. Remember, the simpler the crossover, the more that amplifiers are allowed to do their job.

Cabinet Design

No other manufacturer goes to such lengths to fuse Old World virtues with high technology. Thus, it is that an affordable speaker from Sonus faber still comprises no fewer than eight separate pieces of solid walnut, acting as sidewalls that allow for resonant tuning of the cabinet. What’s that? Resonant tuning?! Aren’t we supposed to eliminate all resonance? Perhaps in a perfect world, and with unlimited funds, this is a desirable goal. In the real world, the physical world, resonance of some sort must exist in things and the Sonus faber design approach acknowledges their existence and controls them in a way that benefits the music.



Olympica III

Sonus faber wanted to create a family of speakers rich in content but also evocative of those visual and tactile emotions that have always characterized its production. Thus, wood, leather timeless craftsmanship values of careful and passionate production, able to make anyone understand the sincere love for their work and Music. The Sonus faber Olympica project is made up of a family of passive speakers characterized by the use of two iconic Sonus faber noble materials, walnut wood and leather.  The  family consists of three main models Olympica I (2-way bookshelf), Olympica II (3-way floor-standing) and Olympica III (3-way floor-standing).

Venere S

Sonus faber starts over and evolves in order to offer hi-fi lovers a sound that reaches the heights of excellence, true to the legacy of the models that made this Italian brand famous around the world. This is the reason why of Venere Signature, the most powerful three-way speaker of the Venere line with three 180mm woofers for the best reproduction of lower frequencies and high-end standards. Venere S ideally bridges between the Venere and Olympica product families thanks to carefully thought out designs and precise solutions that create a surprising accurate and detailed sound stage.